“Human loyalty to traditions is conditioned simply by habit and the animal fear of breaking them; all human rituals arose naturally, largely analogous to the evolution of instincts in animals and humans. Moreover, all that a person inherits from tradition and holds sacred is not an absolute ethical norm,”
Several years ago, Sarah Parker, like many women in the world, faced the problem: how to save her marriage? Her “Old Testament mother” advised: “Give birth to a child!” However, her mother was guided by family traditions, but certainly not by the Chinese horoscope, which says: “Women born between March 15 and March 27 prefer to arrange a cozy nest and take care of offspring, but they quickly get tired of it, and their children grow up on their own.” Attempting to follow the traditional path turned out to be a heavy burden for the actress, who subconsciously desired far from a family feat in her life; her mother’s example, who raised eight children, did not impress her.
Sarah, who came into this world on March 25, 1965, in Nelsonville, Ohio, is an interesting conglomerate of a modern woman who absorbed Jewish wisdom and American feminism. To this day, Sarah Jessica Parker is a successful and wealthy Hollywood actress, earning $38 million a year just from advertising for the GAP clothing company, not including fees from films and Broadway productions, where she began her career quite early alongside her brothers and sisters. Unfortunately, like many other aspiring actresses, the girl had to settle for television series and tiny unnoticeable roles on the big screen. Yet she was noticed. Although some claim this happened solely due to her unusual, non-standard appearance for Hollywood and her ability to charm men. She managed to work in several high-budget Hollywood productions, including “First Wives Club,” “Extreme Measures,” and “Mars Attacks!” Her co-stars in cinema included Steve Martin, Bruce Willis, Nicolas Cage, Ed Wood, and Woody Allen. Opinions about Sarah’s appearance vary widely among people:
“Charming, sweet, sexy, bold, open, cool at combining things. And in photoshoots—just a beauty! How does she do it?;)”
“First impression of her: Depardieu in a skirt… But like Depardieu, despite his appearance, he has a sea of charm and his own charisma, and Sarah Jessica Parker has everything to enchant both men and women. It’s immediately noticeable that she doesn’t consider herself stupid, and that only adds to it.”
Sarah Parker’s true star hour came when the cable channel HBO launched the production of the series “Sex and the City” about independent, strong women living in the heart of New York. She managed to play a character who, despite her sexual escapades, could attract the audience’s love. How she did it remains a mystery to everyone, as in real life Sarah Parker is nothing like her character. If the latter is the epitome of extravagance and a socialite, Sarah is a shy homebody who genuinely preferred her home to any Manhattan parties. And the number of Sarah’s lovers is not as vast as her character’s. Sarah Jessica Parker’s success story is unique: she managed to shatter the stereotype that girls achieve great success in show business only by going through “full nudity” in the past: “I have never undressed on screen throughout my entire career. I wasn’t married, I wasn’t as promiscuous as my character in the series, and I didn’t date as many men as Carrie. (One of her admirers was a member of the Kennedy family). For me, Carrie was like a breath of fresh air. She’s unpredictable and flighty; the audience couldn’t predict her next move, which is why everyone loves her so much. I really enjoyed playing such a character” (Sarah about Carrie).
Most likely, the secret isn’t in promiscuity but in Sarah’s horoscope: She is an Aries with the Moon in Capricorn. The Ascendant is likely in Virgo (a small, slender body). In the 1st house are Mars, Uranus, and Pluto, which significantly enhances her nose; the conjunction of these planets makes her appearance distinctive and memorable. The 1st house is responsible not only for appearance but also for talents. Uranus can bestow the talent of a ballerina, which Sarah pursued throughout her youth, as well as originality and eccentricity. In the house of the public (7th), the Sun, Saturn, Chiron, and Venus are located, meaning self-realization comes through fame—it is as vital as air. Yes, she needs fame; you wouldn’t call her a self-sufficient person (this is evident in all her photos—very sad eyes). The Moon in Capricorn gives her great complexes and a sense of inferiority. The square between the Sun and the Moon indicates a strong struggle between consciousness and the subconscious, where the conflict of personality is primarily lost: Aries embodies the ego; consciously, Sarah considers herself beautiful and talented, while the Moon—the subconscious—looks at herself pessimistically from the side and fears getting into situations where she wouldn’t belong. Caste, clan, and exclusivity are simply painful points for Sarah (she even chose grooms only from aristocrats, so there weren’t many of them), which is confirmed by the North Node at 17° Gemini—the degree of neurotics.
After the age of forty, when Saturn pays its dues to fate, Sarah began to feel more confident; the image she created worked in her favor. By the way, it was during Saturn’s transit through Aries in 1997 that Sarah married her brother’s friend and actor Matthew Broderick, born on March 21, 1962. The degrees of the planets in the horoscope finally kicked into full gear:
The notorious Uranus at 12° Virgo in conjunction with the star Zosma gives her immense arrogance and self-love. A rich collection, a huge number of beautiful things (after the film “Sex and the City,” it was hard for Sarah to part with the character’s things), happiness in wealth.
The Sun at 5° Aries—she builds her own career, achieves fame; Neptune at 20° Scorpio also brings fame but hints at the danger of an aviation accident.
Pluto at 15° Virgo—cunning, duality, acting abilities. A life for oneself, an indifferent attitude toward others. A desire to receive all pleasures. In conjunction with the star Mizar, it gives charm, the ability to have others at her disposal, and the ability to recognize dangers.
Mars at 13° Virgo—a life full of pleasures, wealth, longevity.
Jupiter at 25° Taurus—arrogance, stubbornness, severity. Saturn at 11° Pisces—enterprising, distrustful.
Everything would be fine if not for the destructive degrees; Sarah has two of them: Mercury at 23° Aries—low rivalry, discord, and slander, and Lilith at 19° Capricorn—pessimism and a spiritual breakdown.
Love and family life are embodied by Venus, which in Sarah’s chart is at 1° Aries—great difficulties, immense energy, but an unyielding character. It gives steadfastness in misfortunes.
What misfortunes could be meant? Sometimes in the horoscopes of women who have the Moon in Capricorn or Scorpio (as in many actresses), besides dramatic talent, death comes into their lives, as it’s no secret that Capricorns and Scorpios are champions of widowhood. The Moon has the power of the luminary and therefore often gives the same effect as the Sun; additionally, Sarah’s Moon is in conjunction with Lilith in a destructive degree. Her cosmogram forms a cosmic cross.
Sarah’s husband, Matthew, has the Sun at 1° Aries, a karmic degree, in conjunction with Sarah’s Venus. Despite being born in the Year of the Tiger, he doesn’t have the “commander” energy; in fact, he’s more of a “scapegoat,” which is confirmed by other degrees in his cosmogram:
Venus at 14° Aries—weak-willed, drifting with the current. Mercury at 10° Pisces—care for loved ones, fears. Saturn at 9° Aquarius—protection of the weak. Neptune at 14° Scorpio—hysteria. Mars at 8° Pisces—danger from water. The North Node at 18° Leo also indicates danger of suffering from technology. Pluto at 9° Virgo—misfortune in marriage and at the end of life.
The Moon’s station in Libra suggests compromise and lingering in partnerships, meaning in the “Sarah-Matthew” union, Sarah is still the commander. According to Chinese tradition, she feeds off Matthew’s energy: 1962, the Year of the Tiger (Water element), nourishes 1965, the Year of the Snake (Wood element). Sarah’s Venus and Matthew’s Sun are in conjunction with the star Deneb Kaitos—the star of destruction, which brings irreversible negative changes to fate. This synastric union exudes fatality: Matthew’s conjunction of Mars, Chiron, and Mercury in Pisces is in direct opposition to Sarah’s conjunction of Pluto, Uranus, and Mars in Virgo. Matthew’s Lilith (17° Virgo) in conjunction with Sarah’s Pluto (15° Virgo) (he was captivated by Sarah’s sexuality). Sarah’s Saturn (logic, order) at 11° Pisces suppresses Matthew Broderick’s Mercury (10° Pisces) and tries to wage war with the Mars-Chiron conjunction (8° Pisces) in his horoscope.
Such incredible combinations and oppositions speak of a very complicated relationship: you have to be able to manage an Aries born in the Year of the Tiger, which is what Sarah does with her “lamb.” Popularity, sexuality, enthusiasm—once Matthew realized that self-assertion, characteristic of Aries in this union, simply doesn’t work, since Sarah asserts herself even more virtuously than he does.
For example, when Sarah says that her husband doesn’t get jealous of her because “kisses from men on screen are just a small clause in her contract,” deep down she’s being disingenuous… Aries likes when people “burn incense” around them, immersing themselves in the game of love. Sarah gets a thrill, which may be lacking in her real life. Infatuation is the only thing that makes Aries (and not just them) pathetic and inspired. Infatuation waits for new impulses to burst out with volcanic force into the open, and without such impulses in reality, the actress’s life is filled with illusions. Infatuation is the strongest illusory state of love, and knowing herself, knowing that everything in the world comes to an end (Moon in Capricorn—realistic pessimism), Sarah lives through short-lived romances on screen.
Valentina Vittrok
